____ 1. The Peking Opera costume is called___________. a. Balinese costumes
b. Saya and barong tagalog c. Kimono and obi d. Xingtou
____ 2. The performance element that includes both acrobatics and fighting with all
manners of weaponry in Peking Opera is ______. a. Combat
b. Speech c. Dance-Acting d. Song
____ 3. ______ is the main male role in Peking opera.
a. Dan b. Jing c. Chou d. Sheng
____ 4. Red color on make-ups in Peking Opera means__________.
a. suspicious and craftiness b. roughness and fierceness
c. courage, bravery and uprightness d. fierceness, ambition and
cool-headedness
____ 5. A platform that raises the performers from below the stage in
Kabuki. a. Hanamichi b. Mawaro butal c. Kogakudo d. Suppon
____ 6. It is a Japanese terminology which means male roles.
a. Aragoto b. Suppon b. Onna-gata d. Hanamichi
____ 7. It is a Japanese traditional drama.
a. Kabuki b. Nang c. Peking opera d. Wayang Kulit
____ 8. In Kabuki theater art, fans as props symbolizes ______.
a. Bird b. rain c. insects d. wind
____ 9. The female characters in Kabuki wear an elaborate a. Balinese costumes
b. Saya and Barong Tagalog c. Kimono and obi d. Xingtou
____ 10. It is the shadow puppet of Indonesia. a. Kabuki b. Peking
c. Nang d. Wayang Kulit
____ 11. The Indonesian shadow puppet theater shows are based on the stories of
_____________. a. Biag Ni Lam-ang b. Ramayana and Mahabharata
c. Nagarakretagama d. The Tale of the Heike
____ 12. The puppeteer of Java, Indonesia is called ____________.
a. Blencong b. Gawang c. Dalang d. Kothak
____ 13. The performances of shadow puppet theaters are accompanied by the
music of ____________. a. Gamelan b. Piano c. Guitar d. Drum
____ 14. The characters in Nang are the following, except___________. a. gods and
goddesses, b. magical figures c. kings and queens d. current events
____ 15. It is the teacher and presenter of Nang Talung
a. Sida b. Nang Yai c . Ramayana d. Nai Nang

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